The two to tango in the
mind has its timing for the deceiving self to understand, it was only a system
of thoughts and repeating notes.
Mephisto’s allure of
deceptive bargain not to believe in anything is the rhythm that dissolves compassion
into sensation.
The dramatization and
trickery is the show of promise in exchange for the souls in desperate minds.
Mephisto's corruption at the
crossroad takes one to the stage of dance and gives reasons to play with the
fire.
The wise dancer on this
stage many times before knows that the fire cannot consume the sinner and only
consumes the sins.
The conscious unity in his
mind has reached beyond the limit of the false and its dramatic monster.
The freedom in this ‘two
for tango’ is that it has no attachment, when one is not concerned about the
outcome.
Mephisto’s dance is the
stage trough matter and truth where the spirit attains its realization that the
crossroad has lost its purpose as to nothing other then, another roadside
attraction.
The dance of pleasures and
its cost with values of no worth are reasons of every bliss and curse.
The moral of Mephisto’s
story is, as long as one acts and dances upon another’s advice and exchange,
one becomes a part of the fallen once who have not the intuitive capabilities
to succeed, but need the creative force of others to affect the cause.
Visible forms that nature
holds in eloquence,
applicable circumstance and
its reference.
Perception and darker
musing values testament,
when the lost hour speaks
of decadent.
The art of being awaken to
the flow of eternal present,
surrender to the experience
as unconditional essence.
Luminous distillation of
spiritual dew,
abundant fertility becomes
the magical view.
Soothing the love existence
soul as secret pleasure,
making all obscurities the
threshold of simple measure.
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